Jump scares can certainly make people scared in the moment, but it's sort of a fleeting fear. I grew up with the old-timey Hammer and Universal horror movies which focus more on creating a scary mood, so I prefer movies that gradually scare the audience with eerie atmosphere. Frankenstein: Junji Ito Story Collection (2,066) Kindle Edition 11.99 Venus in the Blind Spot (Junji Ito Book 0) Junji Ito 2,641 Kindle Edition 1 offer from 11.99 Uzumaki (3-in-1 Deluxe Edition) (Junji Ito) Junji Ito 17,143 Hardcover 72 offers from 12.57 Tomie: Complete Deluxe Edition (Junji Ito) Junji Ito 8,982 Hardcover 57 offers from 22. JI: For movies, I think you're right in that a lot of modern movies take the approach of shocking the audience with things like jump scares. How do you feel about the "shock" scare tactic? In the modern version of horror, jump scares are everywhere. JI: Magazines and books don't sell as well as they used to. How has the manga industry changed since you first started? JI: My process is essentially the same as when I did it analog, but Sumi Beta (black inking) and pasting screentones can be done so much faster digitally. How has your process changed in the digital age? JI: It depends on the content of the drawing, but maybe two days for time-consuming ones. How long does it take you to draw a page? JI: I've gotten inspiration from all sorts of different things that I've seen and heard, including photos of dead bodies. Where do these terrifying images come from? A scene from Junji ito's Frankenstein Viz Media
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